Review: 'Stan & Ollie'

New biopic on comedy duo Laurel & Hardy is touching, nostalgic
Steve Coogan and John C. Reilly play portray the comedy duo Stan Laurel and Oliver Hardy in 'Stan & Ollie.'

John S. Baird's biopic Stan & Ollie has a certain inflationary quality, regarding the appeal of a comedy team in their sunset years. But in lovingly re-creating Laurel and Hardy's mid-1950s tour of Britain, it's a film with lots of charm.

The road is tough on two aging performers. It's bad when no one shows up at the music halls, and it's worse when they're congratulated for surviving their has-been status. At a seaside pavilion, the hostess toasts them: "Still going strong, and still using the same material!"

Stan Laurel (Steve Coogan) is revealed as the sparkplug of the act, the writer who understood the formula. No matter who else was around them, on screen or stage, Laurel and Hardy needed to be the only person in the other's world.

As befitting his massive flesh, Oliver Hardy (John C. Reilly) has trouble with his vices. He accumulates ex-wives and has a taste for gambling that takes whatever money the alimony leaves. New complications come with the arrival in London of the team's wives, who are united in mild detestation of each other. Stan's Russian and haughty Ida (Nina Arianda) is a bit of a princess compared to Oliver's spouse, Lucy (Shirley Henderson, first rate as always). Seeing Ollie and Lucy laying down together in their room at the Savoy, him immense, her tiny, one gets the pleasure of marveling at the way opposites attract.

Performing Laurel and Hardy's cherishable "Trail of the Lonesome Pine," Coogan and Reilly may be even better singers than the originals. They eclipse your memories of their models, with Coogan imitating Stan's monkeyish head scratch and Reilly, through the fat suit and makeup, evincing the beatific side of Ollie.

It doesn't break new ground, this biopic, but it has its stinging moments. When the two get into a fight about an old rift, this time Ollie's slow burn is real, and so is Stan's hesitant peacemaking.

John Paul Kelly's lavish production design drips with nostalgia; it can be a tad too sweet and rich for the times, but it's more evidence that this film was a labor of love.

Stan & Ollie
PG; 98 Mins.
Feb 15-21
3Below Theaters & Lounge

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