Nice piece in Bright Lights about icon of film noir Gloria Grahame. While the author denigrates her performance in Oklahoma (perhaps because it invalidates the thesis of doom) this is a devoted—perhaps slightly lascivious—account of the career of one of the genuine bad girls. Meanwhile, over at Davekehr.com there’s an account of 1952′s The Sniper, a recently rereleased (to [...]
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