Gloria Grahame: Bad Girl So Good

Nice piece in Bright Lights about icon of film noir Gloria Grahame. While the author denigrates her performance in Oklahoma (perhaps because it invalidates the thesis of doom) this is a devoted—perhaps slightly lascivious—account of the career of one of the genuine bad girls. Meanwhile, over at there’s an account of 1952′s The Sniper, a recently rereleased (to [...]